Tagaround Denver

A specific need- the Kodak Medalist I

The DeLaney Farm’s round barn on Portra 400

I’ve been working on this review longer than any other I have done, but I’ve finally arrived at the point where I am ready to do it. Here’s my experience based review of a camera that is, for me, a beautiful answer to a specific need. The Kodak Medalist I.

The Medalist I was introduced in 1941, and adopted for service by the US military almost immediately. My camera was made in 1944, according to the serial number, and probably saw limited service. I decided it would only be pointed at beautiful things while I own it.

Winter’s hike, Cherry Creek Reservoir on Portra 400

The reason I chose this camera pretty much mirrors why the military chose it. I was looking for a simple, mechanical camera that took a good size negative, preferably 6×7 at least, that wasn’t the size or weight of a boat anchor to use in hard to get to areas. I wasn’t hung up on fixed lens or removable, but I wanted good glass. This machine is a very fine solution.

It uses 620 film to capture 6×9 frames, so I respool 120 film on to 620 metal spools, more on why in a moment. Focusing the exposed helicoid is best done roughly with the large ring first, then fine focus achieved with the small focus wheel. The viewfinder has two windows in it. A framing window sits up top, and a split focus rangefinder is under it. Focusing it is like using a screw mount Leica, but the two viewfinders are one above the other instead of side by side, and you can get the information from both viewfinders at the same time. Almost everyone who has looked through it has commented how weird it is, but once you get used to it, it’s fast and instinctual.

Edge of a burn on Green Mountain- Delta 400

This camera was in somewhat rough condition when I got it: the shutter was sticky, it had spacing issues, but the lens was clean and clear. There aren’t many places that work on these. The most famous repairman, Ken over at Bald Mountain, retired in January. I’ve heard of a few folks who will take a look at the shutter, since it’s just a standard rim shutter set up, but apparently the film transport is no fun to work on.

Once I got it back, there was a bit more learning to be done. As I said, this camera likes metal 620 film spools. Some places that re-roll 120 film stock use a spool with a metal core, but the end flange made of thin plastic. The film transport holds the spool in place by applying pressure to the flange, and the plastic ones flex, leading to misaligned frames. I haven’t tried the injection molded spindles. I seriously doubt you can use a hacked 120 spool.

The payoff for getting used to these quirks is very worth it, however. That 100mm Ektar lens is a dream, a simple design that never fails to produce. It’s weight is only slightly heavier than a 35mm SLR with lens and you get a larger 6×9 image. The Series VI filters it uses can be had for next to nothing. Come the thaw, this one is spending time in saddle bags and back packs this summer.


Color film development by Old School Photo Lab, black and white done at home. Detailed specs on the camera available here

The Saturday Ritual

First, the coffee. If it’s a day with a bit of time, use the french press, and the tea kettle to boil the water. Just the right amount of cream. Pour in the mug and set aside so it can cool to the perfect temperature.

While that cools, you mix chemicals. I’ll use a gallon of filtered water I’ve set out at room temp to mix them up. Precise measurements in a graduated cylinder of the raw chemicals before dilution. HC-110 first, then white vinegar for the stop bath. The fix is almost always ready, unless it’s close to exhaustion and I have to make up a new batch.

shoot-509The film comes out, and then in to the dark bag, and out again inside the tank. The proper selection is made from the Ultimate Dev Chart, and the times are followed. In between agitations, the coffee is consumed.

After the film is done with its dance, and dry, it is scanned as the weekly words are written. Lightroom makes its appearance in the process. Then the words and photos are uploaded.

Once that is done, a camera is loaded, and it is lunch time. Over lunch, the merits of bicycle ride or hike are discussed. Then the merits of this or that trail. The camera is slung, the spare rolls put in pockets or a bag, and then we walk to the 4Runner to begin the days adventures outside.

And somewhere, pedaling or putting one foot in front of the other, there will be less tension, less stress, and life will right itself again.

We will drive home in the 4Runner, sweaty, hungry again, but better. There may be another meal stop, but then we go back to the house, ritual complete.

The next weekend will be upon us soon, and our ritual will begin again. As close to church as we ever come, more needed than most rituals to keep our sanity.